Sometimes, without realizing it, one stumbles upon a little gem of a film which will makes one wish it had not finished. Strangely enough, last time I did, it was upon another French film… I am not being fair, I think that I have encountered so many gems from France and elsewhere that I could probably barely count them on my fingers. Suffice to say that Jean Becker is the master of Gems since he directed two of my favorite French films – Children of the Marshlands (1999) and Conversations with My Gardener (2007). These three movies are pure wonders; indeed, they are small windows into ordinary lives of ordinary people who – when one looks carefully and with intent – turn out to be extraordinary people. The most amazing is the ease with which one can relate to the characters… therefore he’d have one believes that one is just as special. But once again, I am putting the carriage before the horses…
My Afternoons with Margueritte (there is no misspelling with the name, one gets the explanation of the spelling in the movie) is the story of Germain Chazes (Gérard Depardieu) who does seem to be a little stupid and extremely kind. He meets an old lady, Margueritte (Gisèle Casadesus) in the square and an unexpected tender friendship begins. She gives him the taste for reading – or rather to listen to her read to him at first; and he gives her his undivided attention. The film is however more than that… it is about relationships: the mother-son relationship he has – or rather lack, although he lives in his mother’s garden; the love relationship he has with Anette (Sophie Guillemin); the everyday relationships he has with his comrades – mostly at the ‘Café – Restaurant’ – Landremont (Patrick Bouchitey), Jojo (Jean-François Stevenin), Gardini (François-Xavier Demaison), Youssef (Lyès Salem) and the restaurant owner Francine (Maurane).
Jean Becker has beautifully adapted Marie-Sabine Roger’s novel – ‘La Tête en Friche’ published 2008, Ud-Union Distribution – and has become a brilliant portrait painter with ‘My Afternoons with Margueritte’. Each portrait is perfect with its imperfections and that is what makes them so humanly beautiful. The story telling is so good, that one gets to feel every mistake, self-doubt, joy and tenderness. There is a scene at the market that made me wish I would be there… but I was. The dialogues by Jean-Loup Dabadie (‘César and Rosalie’, 1972) are witty, funny and delivered with such conviction and talent that it is extremely enjoyable to watch. Served by exquisite performances, this is a film about everyday’s life of an ordinary man – turning out to be much more than the simpleton everyone think he is – and whose heart is so big and filled with love that he becomes extraordinary. ‘My Afternoons with Margueritte’ is fresh and beautiful… I warmly recommend it.












